The song was featured in an episode of House, M.D., entitled “ Autopsy”, in an episode of CSI: NY, entitled “ Stealing Home”, and in an episode of Warehouse 13, entitled “No Pain, No Gain”. The song fell from the chart in its second week of resurgence. In March 2003, Bird York managed to chart on in the U.S., with "In the Deep" peaking at number 64 on the Billboard Hot 100 and number 29 on the digital downloads chart. However, the Academy of Motion Picture Arts and Sciences determined that the song had been commissioned in 2001 or 2002 by Crash director Paul Haggis for use in the film, prior to its other uses thus it was eligible. There was some controversy and question as to the song's eligibility, as it had appeared in the film The Civilization of Maxwell Bright as well as The Velvet Hour, both of which were released before Crash. York performed the song at the 78th Academy Awards ceremony on March 5, 2006. In 2006, the song was nominated for the Academy Award for Best Original Song. The song gained fame from its use in the 2004 critically acclaimed film Crash it also appeared on York's album The Velvet Hour. " In the Deep" is a 2003 song written by Michael Becker and Kathleen York, performed by York under her stage name Bird York. ( Learn how and when to remove this template message) JSTOR ( April 2014) ( Learn how and when to remove this template message).If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. You could call it “Train of the Living Dead” or “'Snowpiercer' with Zombies.The topic of this article may not meet Wikipedia's notability guideline for music. Us all, and it is our responsibility to overcome that base instinct in times ofĪfter the near-perfect first hour of “Train to Busan,” the film slows its progress and makes a few stops that feel repetitive, but the journey recovers Your average zombie flick in the way it captures how panic can make monsters of And the film is thematically stronger than Without spoiling anything, the survivors of “Train to Busan” are only so luckyīecause of the sacrifice of others. That this isn’t the advice we should live by or pass down to our children. Early in the film, Seok-woo tells hisĭaughter, “At a time like this, only watch out for yourself,” but he learns Who will do what it takes to save others. Sang-ho also keeps up his socialĬommentary, giving us characters who want to do anything to survive, and others Tunnels and lines of sight become essential. Yeon Sang-ho’s Train to Busan is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. That the undead can’t quite figure out door handles and are mostly blind, so Travelers learn that the entire country has gone brain-hungry. The claustrophobic tension of “Train to Busan” is amplifiedĪfter a brilliantly staged sequence in a train station in which our surviving And you thought your Metra commute was bad. Whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. Later” variety-fast, focused, and violent. Know it, the woman is taking out the jugular of a conductor, who immediatelyīecomes a similarly mindless killing machine. Generally unseen is happening in the station above the platform. Train just before it departs, and just as something else disturbing but
A woman who’s clearly not well gets on the His pregnant wife, an obnoxious businessman (a vision of Seok-woo in a coupleĭecades), and even a baseball team. Giving us beats with the conductors, a pair of elderly sisters, a husband and They get to the train, Sang-ho beautifully sets up his cast of characters, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. It’s a perfect setting for a zombieīefore they even get to their early-morning train ride, What could possibly go wrong?Įven the set-up is a thematic beauty, as this is more than just a train rideįor Seok-woo and Su-an-it’s a journey into the past as a father tries to mendīridges and fix that which may be dead.
Su-an what she really wants-a trip to her mother’s home in Busan, 280 milesĪway. To make up for this rather-awkward moment, he agrees to give
That she has one already, and that he’s the one who bought it for her forĬhildren’s Day. So distant from her that he buys her a Nintendo Wii for her birthday, ignoring His mother and barely spends any time with his daughter Su-an (Kim Su-an). Seok-woo ( Gong Yoo) is a divorced workaholic.
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